Posts Tagged ‘The Roots’

John Legend + The Roots = Wake Up!

Thursday, June 24th, 2010

If this is anything like “Fire” or “Doin It Again” I’m buying two copies. – Philaflava

New York (June 24, 2010) – Musical powerhouses John Legend & The Roots are presenting fans with a fiery new offering, Wake Up! The upcoming CD, being released by Sony Music on September 21, 2010, will feature soulful music from the 60’s and 70’s all with an underlying theme of awareness, engagement and consciousness— effectively telling listeners to Wake Up!

After being inspired by the recent historical Presidential election campaign of 2008, the R&B singer Legend and hip-hop band The Roots felt a need to enter the action. What started as plans for a single quickly developed into a passionate album representing change, hope and activism— not only referencing one particular moment in time, but on a larger scale, holding true no matter what the political climate may be.

The resulting album features eleven profoundly evocative songs infused with sounds of gospel, rock and reggae inflections with hip-hop influences. The album is highlighted by familiar tracks like “Wholly Holy” by Marvin Gaye and “Little Ghetto Boy” by Donny Hathaway mixed with the more obscure selections of Baby Huey and the Babysitters’ “Hard Times,” and “Hang on in There” by Mike James Kirkland.

“These songs sound so relevant now,” Legend says. “On most of them, you wouldn’t change a lyric. ‘Wake Up Everybody’ (the album’s first single, featuring contributions from Melanie Fiona and Common) has four verses—the first one is a general statement, the second is about education, third is about health care, and the fourth is about making a better environment. No editing needed.”

“When these songs were written, people were more spiritually in tune,” says Roots drummer/musical director Ahmir “?uestlove” Thompson. “It was fresh from the civil rights era and there was a feeling of hope that maybe, yes, someday we will all be free. In 2010, not so much.”

The album features one original composition, Legend’s song “Shine,” which is featured in Academy Award-winning director Davis Guggenheim’s upcoming documentary film Waiting for Superman. The song, a “Stevie-Wonder-meets-gospel” stunner, clearly demonstrates the strengths of this specific group of musicians. Wake Up! blends Legend’s expressive, thoughtful vocal interpretations with an element of funk that only The Roots can provide.

Bringing John Legend & The Roots together is an inspired pairing, so logical that it’s a little surprising they haven’t teamed up in a proper collaboration before. John Legend is a six-time Grammy winner whose three albums have all hit Number One on the Billboard R&B charts, and who has collaborated with such artists as Kanye West, Jay-Z, Alicia Keys, and the Black Eyed Peas. The Roots—currently visible nightly as the stupendously versatile house band on Late Night with Jimmy Fallon—have released nine acclaimed studio albums (including the recent How I Got Over) and redefined the relationship between live instruments and hip-hop.

Sounds Like Summer – Volume Two

Saturday, June 19th, 2010

Time to pick up the pace on our SLS series with a new edition. Somethin’ for your car, somethin’ for your hangout spot, or just somethin’ for you to chill to. Hella shouts to dirt_dog from TROY for the artwork. Download link, tracklist and a re-up of Volume One with proper artwork after the jump.

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The Roots – How I Got Over (tracklist)

Thursday, May 20th, 2010

They got pushed back and back and back and all they could put together was just 9 songs? Peace to Slang Rap for posting this early. Dear ?uest, try and throw at least another 3 more tracks on this bitch. It ain’t Illmatic, okay? –Gloss The Boss

1. Walk Alone (Truck North, Porn, Dice Raw, Mercedes Martinez)
2. Dear God 2.0 (Jim James, MOF)
3. Radio Daze (Blu, Porn, Dice Raw, Mercedes Martinez)
4. Now Or Never (Phonte Coleman, Dice Raw)
5. How I Got Over (Dice Raw)
6. The Day (Blu, Phonte Coleman, Patty Crash)
7. Right On (Joanna Newsom, Sugar Tongue Slim)
8. Doin It Again (John Legend)
9. The Fire (John Legend, Rick Friedrich)

Calling Out Names

Tuesday, March 30th, 2010

Kurupt once made an extremely underwhelming DMX diss titled Calling Out Names, let’s hope this new feature won’t be equally as entertaining. It’s been a minute since I blessed you with my unsolicited and unfavorable opinions. You don’t have to agree, you don’t even have to read them but here they are…

1. Blu – Stop with the queer videos and these half-ass lo-fi tracks. Either make a real album, with real music and release it properly or just step the fuck off the internet. You’re becoming more and more irrelevant the more Fashawn drops heat rocks. You know Fashawn, the new Blu with some street appeal? Basically, stop being an aloof sissy and put out music that you’re capable of. Ain’t none trying to hear or watch this bullshit. NONE! I say this with love too.

ParieArtNommee. from Johnson Barnes on Vimeo.

2. Wu-Massacre - A big LOL @ anyone buying this. I’ll admit, I was amped when the leaks came out earlier this year but this isn’t an album. It’s a gank move and you’re a fucking sucker if you drop your hard earned money on this shit. For starters the album lacks sequence, true collabos (see Criminology 2.5) and most importantly CHEMISTRY! The entire album was phoned in and if they were smart they would have made an EP out of this crap and done the album the right way, the RZA way. You stupid muthafuckas.

3. The LOX/Jadakiss – Yeah I heard “Slow Down” and you’re killing them, but all three of you are some hypocritical emotional queers. First you sign with Puff. Then you spend the next decade berating and threatening Puff. Now you’re back on his lap like Brett Hart is on Vince McMahons. Oh and Kiss, I know you ain’t made a “wack verse since the 90s” but you ain’t made a dope album in forever! If you’re gonna go the Bad Boy route in 2010 at least get your money right before you hit the airwaves.

4. Def Jam – Either release the new Roots album or just release The Roots. How many push backs must they get? And this is just a pre-warning but if Justin Bieber is ANYWHERE on this album I swear to god I will eBay my Def Jam University sweater.

5. Doing Nas remakes – It’s bad enough we’re not even checking for Nas these days but now all these newjacks are trying to redo Illmatic? No, bad idea. Leave that shit alone and get your own identity. No offense to some of the great talents out there like Elzhi, Freddie Gibbs or Fashawn but leave that Illmatic shit alone. It only reminds us about how shitty hip-hop really has been for the past 15 years when your best music features Illmatic productions re-written lyrics to the tracks.

6. Yelawolf – I’m a huge fan. He just signed to Interscope which only means one thing, either a 2013 record release or a 2013 contract release. Eminem collabo in 2011 though! And speaking of white emcees , just how fat is Sage Francis going to allow himself to get?

7. Brotha Lynch Hung’s Dinner & A Movie – This is the Chronic of horror core music. Yeah I said it!

8. Jay Electronica – Great rapper, great personality, great person. Having said that, if you don’t drop an album you’re going to be Saigon all over again. Remember Saigon? Yeah, never do we.

9. Joe Budden or Buddens – Why are you the most unlikable, annoying personality in hip-hop? It’s not jealousy. I think you’re actually a good lyricist but your voice in unlistenable after 2 minutes because all you seem to do is whine. You might have the sports references on lock, but you peaked. No way will you ever be anything more than a yenta talabenta. Stop whining. Stop with self-indulgent videos. Just stop.

10. Snoop Dogg – General question but after Doggystyle has ANYONE ever bought another Snoop Dogg album? Who even takes this clown serious?

The Roots: Laskified

Monday, March 22nd, 2010

roots

A few weeks ago I started a new series of mixes called Laskified, the premise was that there are a gang of rap artists that have an amazing collection of music but for one reason or another they cannot put together an album that keeps my attention.  The first in the series was the rapper Mos Def who is an insanely talented rapper but might be a glue sniffer because his work is often inconsistent and erratic. 

The goal of the series was to put on my a&r hat and take the artists collection and cherry pick from it to make a cohesive album, of not necessarily essential tracks but, tracks that would work for a complete album that keeps your interest from front to back.  When conceptualizing the idea I came up with a set of rules to follow that included:

1. The music can only come from the artist album catalogue, no collaborations, guest appearances or side projects.
2. The project must flow like an album, which means if the song doesn’t fit, it doesn’t get on, I don’t care if it is their biggest hit nor has a Jay-Z or Kanye guest appearance.
3. It must not be longer than 55 minutes and 14 songs, because no album ever should be.

With today’s artist, The Roots, we went a little over out time limit but still came in at under 1 hour.  I have a love hate relationship with The Roots, while I know they are extremely talented and when all things are clicking there are very few groups that can fuck with them at all.  Unfortunately that rarely happens outside of their live shows.  Where they excel in the live arena they tend to flounder on the studio.  The Roots have released 7 studio albums, 8 if you include Organix which I do not, simply because it sucks.  All of the 7 albums contain a few good to great songs and a lot of boring filler shit.  The other problem is that every album carries the same format – an intro, a few songs about rap, a few girl songs, one crossover type single that is always awful, a few experimental joints which are always surprisingly good, and a few songs of rapper Black Thought completely demolishing the mic.  When it comes to just ripping the shit out of a track few can do it better than Black Thought.  Unfortunately, they get away from that too much because they have this BS formula that sucks the life out of every project.  

It is very frustrating to see a group that is this talented avoid what they are best at.  At the same time it’s hard to argue with a group that has been releasing music for 17 years, and still remains a relevant force today.  I just wish they would put out one album that puts all their strengths together, trims the fat and makes a fucking classic.  Until then this will have to do. 

Tracklist:

1. Act Won (Things Fall Apart)
2. 75 Bars (Black’s Reconstruction)
3. Here I Come
4. Act Too (The Love of My Life)
5. Panic!!!
6. The Seed (2.0)
7. Stay Cool
8. Water
9. Clones
10. Living In A New World
11. Distortion to Static
12. Thought @ Work
13. The Web
14. The Lesson, Pt. 1

The Roots: Laskified -

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Mos Def – Laskified

Friday, February 5th, 2010

mos_def

I have recently been thinking about artists that show potential but never reach it for whatever reason. This phenomenom tends to be of epidemic proportions in rap music and I am not sure why. It could be the culture in the record industry demanding quick turn over and a follow the leader approach to marketing the music. It could be that most rappers do not have the musical background to understand what it takes to make a strong record. it could be that there isnt a lot of guidance other than the “make sure you have the x, y and z” style songs on your album. Or it could just be that some rappers are either too self indulgent or lazy to ever get the best from them.

I started thinking about this because of the artist Mos Def. Obviously a talented rapper. His work in the late 90s with Black Star was brilliant. His first solo album Black on Both Side, though uneven showed immense promise. Sadly that promise was never reached. It was a combination of him being bored with rap, trying to do too much, acting, getting hammered by Christopher Hitchens on Bill Maher, etc.

The point is he was unable to keep focus for a full album and his works became increasingly, how can I say this without being insulting, shitty.

With Mos there are always amazing moments.

When he is on, it is exactly what I want to hear when I listen to rap music, but when he is off it is exactly everything I hate when I listen. So this got me thinking, what if some one like Mos, or The Roots, or Ras Kass had a strong personality with an ear for what makes a great record pushing them to do so? Would it work. Would we get what we always hoped for from them? Sadly we will never know because the music industry has pretty much eliminated the true A&R position for quick profits and disposable artists. So I decided to try on my A&R hat and see if I couldnt put together a great album from the material that is already out there. I set a few rules in place to avoid just turning this into a best off type deal:

1. The music can only come from the artist album catalogue, no collaborations, guest appearances or side projects.
2. The project must flow like an album, which means if the song doesnt fit, it doesnt get on, I dont care if it is their biggest hit or has a Jay-Z or Kanye guest appearance.
3. It must not be longer than 55 minutes and 14 songs, because no album ever should be.

So lets see how this little experiment worked out. Mos Def, you are about to be Laskified.

Mos Def – Laskified

Track Listing

1. Champion Requiem
2. Mr. Nigga
3. Murder of a Teenage Life
4. Ghetto Rock
5. Quiet Dog Bite Hard
6. Undeniable
7. White Drapes
8. Sex, Love, and Money
9. Napoleon Dynamite
10. Close Edge
11. Umi Says
12. History feat. Talib Kweli
13. Brooklyn

Mos Def – Laskified

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VIDEO: The Roots – How I Got Over

Wednesday, September 30th, 2009

It took a few listens for the song to grow on me but now I can’t get it out of my fuckin’ head. Can’t wait for the new album. The Roots crew have not disappointed since their Def Jam arrival.