Posts Tagged ‘mac lethal’

Mac Lethal’s assessment of Yelawolf

Thursday, June 10th, 2010


White-on-White commentary is fascinating for a variety of reasons. In this episode we find one paste superhero sizing up (nh) another paste superhero:

Dude is definitely not a new guy.

He’s been around for a very long time. Seems to want to play the big major label route, though, and has been kinda sitting around on major label shelves for a while.

He’s got the image put together, and can rap very well.

I absolutely despise the fabricated country bumpkin/hillbilly element of his rapping, though, because in interviews the dude talks like a surfer dude who grew up in Orange County. But besides that, yeah, I see this working on some big levels.

I really thought Yelawolf was a classic trailer trash, rags-to-riches story. But rap can be some crazy shit. Can anyone comment as to Y-Y-Y-Yela’s station in life prior to becoming an iPod/internet/blog darling?

Peace,
Employee

The 2009 Register Vol.4: Mac Lethal

Friday, December 11th, 2009

My disclaimer: I’ve taken the liberty of deciding for all of you that trudging through some half-assed, inferior, “End of the Year” smorgasbord of songs and situations of importance to me, Employee, would bore you to salty pretzel, heart-shaped tears comprised of an indescribable fury. That being said….I thought it would be lighter on the psyche if I asked as many different microphone megalomaniacs and sample slaughterers if they’d be benevolent by sharing their personal ruminations on the year that will soon be a calendar in the garbage. Nothing is edited.

Mac Lethal

In 2009:

We learned that no matter how many records you sell, and no matter how much of an impact you have on the music industry (which is an effete institution at this point), you will still, always, be confined by the corporal grasps of record labels and big budget entertainment vehicles.

A lot of things have happened in 2009, and they all seem to share an underlying theme with each other; low financial resources, financial crisis, frivolously spent funding for things. But I will extrapolate on the former paragraph a bit, and say that for some odd reason, nothing bothers me more than Lil Wayne’s Rebirth project being pushed out of 2009 into next year. We will get to that shortly.

Personally, I toured relentlessly, headlining only. A good 6 months of this year, even. I will say that I was immensely satisfied with about 80% of the shows, and nearly devastated by the remaining percentile (which were shows with extremely mediocre turn-outs. Some in cities where I have had outstanding crowds, multiple times, and wonderfully paid total artist guarantees.) It probably started in Colorado Springs. In April of 2008– I had the Black Sheep packed full of fans and supporters of my music. In April of 2009– I had about 1/10th of that crowd there.

No rhyme or reason.

Telling myself to not take it personally was very difficult. In fact, after shows like these, I would begin dematerializing, and coming apart at the seams.

“It’s over. I suck. I should have never pursued this. The last tour I did drove everything into the ground. I went back out on tour too soon.”

Then I would catch a nugget of redemption. Some random mystical force would sell my next show in Salt Lake City, UT completely out. Urging me to push on, at least until next year. At least until the sky rains boiling mercury onto my sophomoric career, and I melt into a pile of gooseflesh, failure, and PhilaFlava emoticons mocking that one time I got knocked the fuck out by Copywrite.

That last part is the crux of this writing. I’m kidding. Things went relatively well after I peel the layer of self-consciousness off of my year. As most people involved in the live music vocation know; touring, performing, and general ticket sales for live music are tumbling down an extremely unpredictable slope right now. Unavoidable setbacks and inconsistent ticket sales are, for some of us, the only meal the diner has available on the menu right now.

But it all comes back to 2009 being the year, the milestone, and the symbol of: corporate, independent, self-serving, miserly, rawly and crudely broken down to it’s inner, mechanical guts: human greed.

Most of us are piercing new holes into our belts, and tightening our proverbial Bank of America knickerbockers right now. Rappers are hustling verses. Trumpet players are adding Tuesday and Thursday nights at the Green Mill Lounge to their weekly repertoire, for boosted income. There is even a freeze on the nursing industry, where a lot of newly qualified nurses are not hired, because more qualified personnel are being rationed out nursing duties to save hospitals money.

It’s almost like half of this recession exists because people are so concerned with their funds being depleted by the recession. It’s an economic ouroboros. Yes, the American dollar has receded, but so has the drive and interest people at one point had to simply: take a fucking risk. And that was a prime ingredient in developing this country to it’s peak.

I guess I don’t envy Lil Wayne’s position. In 2009, the guy who sold 1 million records in one week not even a year ago, which as we all know is abnormal on multiple levels: can’t make his own creative decisions, take his own creative risks, and release his own music to his own satisfaction. He still salutes and answers to old, outdated money and business models. The same money and business models that got us here in the first place.

As trite as it sounds: I think one thing 2009 made incredibly crystal clear, is that your risks, and your crazy ass ideas are going to be precisely what pull us out of our current economic holocaust. As bad as it hurts sometimes, fuck it. Watch the movie Rudy, get motivated, and get back to taking financial and moral lashes by the whips and chains of society.

-mac lethal

p.s. In 2009 we learned that in 2010 Manny Pacquiao and Floyd Mayweather Jr. will fight. That saved my year, at the buzzer.
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A tip of the hat to Mac Lethal. Visit Lethalville or go here for more Mac.

Peace,
Employee

Why the fuss over Iron Solomon?

Thursday, November 19th, 2009

I kill time two ways these days: Cigarette smoking and battle videos. While I’m admittedly behind the curve on the intricacies and politics associated with this new crop of meta-battle rappers who seemingly spend the entirety of their days concocting rehashed punchlines dealing with homosexuality, penis envy and financial status, I don’t get the hubbub following this Iron Solomon dude. Granted, you’d be hard pressed to find any living human who is able to differentiate one screaming-at-the-top-of-his-lungs battle circuit superstar from another. But this guy’s warrior appeal escapes me. He reminds of a wannabe-brolic Adeem circa-Scribble Jam ’99.

Additionally, why doesn’t this guy have an album out? I’ve searched Google and Amazon and the most I drudged up was a guest appearance on an Illmaculate song. Obviously high-stakes battle rapping is lucrative, but at some point wouldn’t you want to take your reputation and turn it into an album?

Iron Solomon VS Jin from Executive Nick on Vimeo.

Can anyone tell me what differentiates this guy from an Okwerdz or a Mac Lethal or a The Saurus or a Dizaster?

Peace,
Employee

Mac Lethal – “Two Bottles Clacking”

Monday, November 2nd, 2009

One of the best songs I’ve heard in a while. Reminds me a lot of “Guarantee.” I’m neither a Mac Lethal booster or a fan of confessional joints that teeter on the edge of L.F.O./Crazy Town territory. But Mac Lethal’s approach here is head-and-shoulders above anything I’ve heard from dude before. Especially poignant is the first verse where he speaks on the passing of his mother. Self-produced, the beat gains steam and serves as a sparse, but complimentary partner to Mac Lethal’s engrossing narrative. Great exercise in songwriting and song construction.

“Two Bottles Clacking”

Peace,
Employee

Mac Lethal – “Punk Bitch Clown Freestyle”

Monday, October 26th, 2009

“You little bitch…..Trust me……Ass kicked on sight……Disrespect the crew like that…” Over “Run this Town.”

“Punk Bitch Clown Freestyle”

Peace,
Employee

Our Rappers Are Better Than Yours (re-up)

Sunday, September 20th, 2009

One of the great things about having your own blog is being able to post whatever you want, in this case whatever image I want. Be honest, would you rather me post this or an image of one of the rappers?

Here is a re-up of “Our Rappers Are Better Than Yours.” Be on the look out for The Philaflava Project which is set to drop within the next 2 weeks.

Our Rappers Are Better Than Yours

01. Intro
02. thekeenone & Agent B – We Don’t Understand
03. Atmosphere – Love Hate (Equalibrum Remix)
04. Philaflava All-Stars – Posse Cut Part 2
05. Godamus Rhymes – Let Off A Couple 2009
06. CunningLynguists – Nasty Filthy feat. Supastition & Cashmere The Pro
07. Open Mike Eagle – iRock
08. Ardamus – Say It To The Heart
09. Can-U – Didn’t I
10. Intuition – Don’t Try
11. Mac Lethal – Twitter.com
12. Blueprint – Don’t Make Me Laugh
13. Galvatron – Great Voices Part 2
14. Philaflava Rockin’ It (Interlude)
15. Philaflava All-Stars – Posse Cut Part 1 (Edit)
16. Philaflava All-Stars – Posse Cut Part 1 (Red Scare Remix)
17. Cadence Weapon – Black Hand
18. Alaska – Party’s Over
19. Ayentee – Kill My Soul
20. Solo For Dolo – Ain’t No Love
21. Icon The Mic King – Sneaker Addict
22. Philaflava All-Stars – Posse Cut Part 3

Download

P.S. Whoever this chick is please holla at our inbox.

Mac Lethal – “Lookin Bro’”

Thursday, September 17th, 2009

I can’t figure out whether this is a midwestern, asbestos-fueled self-parody or a diss to the majority of his fanbase.

Any guesses?

Peace,
Employee