Posts Tagged ‘Large Professor’

Timlaska’s Top Ten-est Albums Ever (#3)

Thursday, February 25th, 2010

illmatic pic

On Illmatic Nas shows a level of self awareness that may have never before or since been matched on a rap record. It is the ghost that Nas himself and rap as a whole have been chasing since it dropped. It may have been the last really important album in rap. Sure there have been plenty of great albums, some that may even be better since illmatic was released, but none have captured its depth or resonated in the same way.

For years I have wondered what set this album apart from all the others. What was it about the 10 songs so perfectly crafted that made this record so special. We have certainly seen better records before and since, but they tend to be over the top sonic productions. Illmatic in its entirety is understated. It is an every-man approach to rap music. The music oozes with the time and place it was constructed and Nas delivers a performance often saved for the greatest authors. It helps that he is a technically proficient rapper but what was most important about this album is that he told his story, in the simplest terms that when combined with the music was nothing less than elegant.

Elegant isn’t a word usually associated with rap music, especially rap music that matters. Illmatic contains none of the bombast of say an NWA or PE; it doesn’t go the arty conscious route that so many critics and college age white kids seem to cream over. It is simply the inner workings of a young man defining his place in a world that is often alienating, cruel and dark. In many ways it is the most mature rap album ever made, and could be a perfect companion piece with the number 7 entry Buhloone Mindstate in that they are deeply personal albums that deal with internal issues and emotions without being maudlin. Where Buhloone Mindstate presents this for the artist in their later 20s, Illmatic does so for the artist in their late teens, early 20s. The sad thing is that we still haven’t found an artist that can take this dynamic and make a good album for the 30 or 40 year old set the way say a Tom Waits or Will Oldham can.

I originally had this album at number six. I have played it so much over the years that it is just completely played out to me. I needed to step outside of myself and take in the album for what it was, as well as ignore what Nas has become. There was so much potential for Nas after this album, sadly he has never lived up to any of it.

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Timlaska’s Top Ten-est Albums of All-time #6

Thursday, February 4th, 2010

midnightmarauders

So today we go back to our weekly series dedicated to naming the top ten-est rap albums of all time.  I picked the ten albums I wanted to feature in advance.  Since then I have been listening to them pretty non-stop which has lead to many of them being second guessed, removed, and shuffled around.  Today’s record was originally slated in the number two spot, but the more I listened there was just no way I could justify putting it above the albums to follow. 

A Tribe Called Quest was one of the best groups of the 90s.  THey have also become one of the groups that annoying white people that want to discuss hip hop but have no real grasp of the culture cling to.  They are like Cypress Hill minus the weed or the Beastie Boys minus the nasally NY jewish voices.  Additionally Tribe reached a creative zenith that neither of these groups came close too….fuck anyone who says Paul’s Boutique was this or that.  The MCing sucked so the album isnt good.  It would have been better suited as an instrumental album, but sadly that trend didnt really take off till years later. 

Midnight Marauders was the high water mark of creativity and artistry for the group from Queens.  It also marked the first time that Phife Dawg wasnt a complete liability.  That said Phife is also the reason for the albums drop from number two to number 5.  There was just no way i could put an album that he shared lead vocal duties above say, Illmatic, which was originally in this slot. 

Midnight Marauders is the most complete work from the group, it was the moment all the key elements came into their own, with the exception of Jarobi who came into his own by no longer appearing after the groups first album.  The scope of their content moved from very hip hop centric concepts like Buggin Out and having The Jazz to more universal topics like romance,  the experience of a young man in the city and even just everyday problems one faces in their life.  Ali Shaheed Muhammad’s production was cohesive throughout and wasnt limited to just the obscure jazz samples that made Low End Theory a landmark album that has ultimately aged poorly.  The production is thick and lavish and creates a mood that ties the album together from start to finish.  Q-Tip while not displaying the same level of craftmanship in Low End Theory offers a more complete performance combining content, flow, voice and lyrics to help him reach even greater heights as an mc.  The guest appearances are not frivolous and include a top notch performance from Large Professor, getting booth guest vocal and guest production credits on Keep It Rollin and chorus appearances from Trugoy and Busta Rhymes on Award Tour and Oh My God respectively.  The album also spawned two undeniable hip hop classics the aforementioned Award Tour and Electric Relaxation which ended up on every mixtape I made for my lady friend that year. 

I think most would agree that Midnight Marauders is the magnum opus for one of the genre’s most creative acts and remains as poigient and fresh sounding today as it did back in 1993.

Personal note: I went to SUNY New Paltz and this album circulated the campus for about two months before its actual release.  Albums that also leaked that school year and made the rounds were Black Moon’s debut and Nas’ Illmatic.  So I guess leaked records were not just a symptom of the internet age. 

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Links for the previous entries:

Number 10:

Number 9

Number 8

Number 7

Nas: The Remixes (Day Three)

Tuesday, October 13th, 2009

NasOneLove

I don’t believe in none of that shit ya facts is backwards. Day Three.

Nas – NY State of Mind 2 (45 King)

Water dripping from rust-punctured pipes lining abandoned inner-city tenements. If ever there was a successor to the “Come Clean” beat, it’s this. The fact that it instantly gives Nas’ verses new life is a mere bonus. Again, peace to Vaporized from Philaflava for the blend.

Nas – The Cross (9th Wonder)

Oozes soul. Why he departed this formula for the forgettable tripe he produces these days boggles the mind.

Nas – It Ain’t Hard to Tell (Large Pro)

LP decides to flip Bizmarkie’s “Highly recognized as the king of disco and” line from “Nobody Beats the Biz.” The rest is history.

Nas – Ether (Soul Supreme)

Victory music only slightly hampered by the fact that it uses the clean acapella. Falls off a little on the last verse too.

Nas – One Love (LG)

Smooths the edges of one of Nas’ sharper efforts. The LG Experience even manage to layer the hook with an R&B refrain without it soundin’ corny.

— Snoop Bloggy Blogg