Thank you for the “Facebook Share” buttons scattered around the world. Blueprint says:
Alright folks, here’s the first leak from the upcoming Electric Purgatory Part Two release by Greenhouse titled “Smileâ€. If you like it please use the Facebook share and Twitter share buttons to repost it and help us spread the word about it. Also feel free to hit the comment section up.
Biggity bangin’. Also via Print it looks like we might get to hear Aesop and Illogic wrecking shit one ‘mo gin:
Electric Purgatory Part Two available on July 24th. Produced by Blueprint. Guest appearances from Aesop Rock and Toki Wright.
Blueprint’s production is so engrossing here you almost don’t want any verses tarnishing it. Thankfully the trio do it justice with Illogic stealing thunder like a comic book character. Illness.
Peace,
Employee
Thought Update: Blueprint kills the shit out of his verse.
By way of Blueprint. A boat, turntables, Killa Priest, Scarub and some veteran undergrounders adorned in the garb of the Fruit of the Loom characters. As you can see, the sea vessel going audiences are type live.
Print says this is a track from a soon-to-arrive, two-part EP entitled Electric Purgatory. Visit Weightless’ site to order a physical copy that includes all the instrumentals and a free poster.
I recently sat down with my old friend Blueprint to discuss his upcoming projects, his career, and the state of hip hop.Â
So Print you have been out of the spotlight for a little while now, what have you been up to?
A few years back I started to feel like I was pigeon-holing myself as an artist who’s known for recreating older hip-hop and I felt that if I continued on that path that I may never get to do anything different or anything that reflects the music I actually can and want to make. It’s almost like realizing you were being too safe. So I had to take a step back from some of the things that were distracting me from my music; like touring as much as I was, promoting shows, or even being out so much locally. It wasn’t really doing anything but working against my progression as an artist. In a lot of ways I had become really used to doing records and writing songs a certain kind of way. So I kind of abandoned that, but as an artist when you decide to change directions a little bit it takes time to master your new style, so I’ve been trying to master my new style.
