un·der·whelm (ndr-hwlm, -wlm)
tr.v. un·der·whelmed, un·der·whelm·ing, un·der·whelms
To fail to excite, stimulate, or impress.

Martians Vs Goblins feat. Lil Wayne & Tylers The Creator (prod. No I.D) – Download
un·der·whelm (ndr-hwlm, -wlm)
tr.v. un·der·whelmed, un·der·whelm·ing, un·der·whelms
To fail to excite, stimulate, or impress.

Martians Vs Goblins feat. Lil Wayne & Tylers The Creator (prod. No I.D) – Download
This mixtape is presented by FWMJ.
Just listen to it, the natural talent at work is plenty obvious. Sure, the ‘us vs the rap industry’ mentality and subject matter are well tread, but The Niyat sells it with a dedicated unyieldingly angry attitude – these guys actually sound like they take this shit personally, instead of chanting protest against mediocrity as an easy catchall mantra. It also helps that unlike MANY other lyrically intensive rappers this group is very proficient at picking beats, with selections just strong enough to avoid plodding but not so distinct as to take the focus away from the words. The mixing of the project is a bit rough, it never surpasses the feel of being a loose collection of tracks, but then again I don’t think they were trying to make a proper album either. It’s more of an exercise in craft than an artistic statement, and as such it’s tremendously entertaining.
Tracklist with production credits is below the jump.

If Dre was the sound of G-Funk and Snoop was voice, then Nate Dogg was surely the harmony. Tying together lush production and smooth vocals with his rich, raspy melodies, Nate brought a defining quality to the music. Raised as a gospel singer in East Long Beach, he crashed onto the regional scene with his work on Mista Grimm’s “Indo Smoke” and Dr. Dre’s “Lil’ Ghetto Boy,” but it was his appearance alongside Warren G on “Regulate” that pushed him into the national spotlight. When Death Row Records collapsed under it’s own misdeeds, he took his talents from coast to coast, never failing to impress as the go to guy for that Californian vibe whilst giving career defining hits to the likes of Ludacris, Fabolous and 50 Cent. Many have tried to imitate him and some have even tried to snatch the crown as the king of the rap hook, but to no avail. They can come closer than close. Original they never could be.
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Any new Snap is appreciated, especially when going over Dre production. Need an mp3 of this stat.
via Rappers I Know
Only four weeks of summer left officially, so make sure you bang it out with the sixth installment in the SLS series. Somethin’ for your car, somethin’ for your hangout spot, or just somethin’ for you to chill to. Hella shouts to dirt_dog from TROY for the artwork. Download link, tracklist and links to the rest of the series after the jump.
— Snoop Bloggy Blogg
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Shot from the eye of the hurricane in South Central Los Angeles moments after the Rodney King verdict was announced, Matthew McDaniel’s footage is as raw as it gets. Capturing an open sore, where uprising met opportunism, the documentary is edited into a video nasty melange of sound bites, violent rhetoric and hopeless frustration. However, it’s perhaps more notorious for its sampled use on Dr Dre’s post-King opus The Chronic. “The Day the Niggaz Took Over” and “Lil’ Ghetto Boy” both snatch the soul with a couple of poignant quotes, but to truly experience the sheer anger, it’s best to catch the whole show.
Birth of a Nation: 4/29/92 – Download Now
Also, don’t forget to check out Alex’s Gang Sign Culture in LA post as a fitting accompaniment.
— Snoop Bloggy Blogg
As we continue on, our Sounds Like Summer series adds another volume while the humidex/heat index pushes past 100 in the north east. Somethin’ for your car, somethin’ for your hangout spot, or just somethin’ for you to chill to. Hella shouts to dirt_dog from TROY for the artwork. Download link, tracklist and links to the rest of the series after the jump.
— Snoop Bloggy Blogg
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In hip-hop, and to a degree music in general, there are few record labels as storied as Death Row. Def Jam have the best catalog, some say No Limit were the most innovative, but neither compared to the sheer star power and controversy caused by the crew from Compton. Launched by Harry-O’s drug money, forged by the brute force of Suge Knight and critically acclaimed thanks to the platinum touch of Dr. Dre, the label’s five year run may be the greatest apex in history for any rap boutique. So great that even the soundtracks were classic. But the shit you heard was only half of the deal. The other half? Well, it comes with its own story. Almost a year ago, we dropped a Death Row: Unreleased compilation on our since deleted blogspot page and got some crazy feedback. It’d be a shame not to have it archived on our new site, so we reformatted it, re-wrote it and added five more tracks to the mix. Since it was previously posted, it’s been often imitated, and in some cases, duplicated by mark azz bustaz tryna pass off my work as their own. (if you’re going to copy it to your own blog, at least give some damn credit). But that’s aight though, because the 2.0 version is even better than the original, complete with even the write-ups and pictures packaged together in an XML file for your own collection. This is for the zigganz that was down from day one, welcome to Death Row: Unreleased. Hit the jump for write-ups, tracklisting and the download link. Peace to dirt_dog from TROY for the cover art.
— Snoop Bloggy Blogg
With the release of the damp squib “Under Pressure” last week let’s rewind the clock 15 years or so with one of the most anticipated albums that never was. Fresh out of jail after a 6 month bid, Dr Dre hit the studio to work on two new projects: a collaboration LP with Ice Cube and his sophomore album The Chronic 2 – Poppas Got a Brand New Funk. Notorious for taking his time on production, Dre’s stalling came into conflict with Suge Knight’s policy of taking the best music available for the next album release. In this case, it would be 2Pac’s All Eyez On Me that benefited from songs that were supposed to be on Dre’s projects, namely the first single “California Love” and “U Can’t C Me.” This turned out to be the tipping point for Dre’s decision to depart the label as he soon contacted Jimmy Iovine and in alleged conversation told him “make me a deal and I’ll make you some hits.” Chronic 2 and Helter Skelter were dead in the water, leaving the impressive “My Life” perpetually unreleased. A musical autobiography, the track details Dre’s career from spinning at Eve’s After Dark to spearheading the West Coast revolution with Death Row. I’d hoped that WIDEawake Ent. would give us a remaster of this but that appears unlikely with the current turmoil at the label. In the meantime, we’ll have to make do with these two versions: the original “Smokin’ Weed For Hours” track and the re-tweaked and renamed “My Life.” They’re essentially the same song with a couple of different beat switch-ups. I’ll be putting “My Life” on our Death Row Unreleased compilation launching tomorrow. Two discs, 30 tracks, dedicated for the zigganz that was down from day one.
Dr Dre – My Life
Dr Dre – Smokin’ Weed for Hours
— Snoop Bloggy Blogg